Ep 141: The Patterson-Gimlin Film Part 3
Above Image: A composite landscape from 5 frames of Copy #14 of the PGF, scan and composite by Bill Munns, on 3-22-2012. Here, Roger Patterson is shown making a plaster casting of a footprint at the Bluff Creek, CA site, the day of the encounter. All Bill Munns images copyrighted – for research use only. Original composite image enhanced and cropped by Astonishing Legends for presentation purposes.
“True believers still cling to the film as the most credible indication that something is out there, since at this writing thirty-six years have passed and definitive proof of a hoax has not surfaced.”
– Anthropologist David Daegling from his 2004 book, Bigfoot Exposed: An Anthropologist Examines America's Enduring Legend.
Background:
When indirect evidence of an extraordinary event defies conclusive debunking, then the easier route for some critics is to attack the presenter of the evidence. Naturally and unfortunately, Roger Patterson's integrity and thus his credibility came under scrutiny and assault as a means of discrediting the film itself. Another common tendency in dealing with an incredible incident is to accept outright the allegations of a purported hoaxer or associate as a way of comfortably coping with a disturbing possibility which can then be safely set aside. In the case of the Patterson-Gimlin Film, there are two central claims that suit this purpose for those who doubt the film's authenticity. Bob Heironimus claimed he was the one who wore an ape suit for the film, given to him and made by Patterson. Philip Morris of Morris Costumes claimed he sold his standard gorilla costume to Patterson, who may have modified it for the filming. These assertions were enough for many to put the matter to rest, except one must consider that there are significant discrepancies between the details of the Heironimus and Morris stories, leading to an improbability that they were describing the same outfit. So, the question remains, between these three gentlemen, who do you believe, or rather, whose story is more comfortable for you to believe?
Location:
Researchers have re-located the site where Roger Patterson and Bob Gimlin had their encounter with “Patty” the Sasquatch, on the banks of Bluff Creek around 1:30 p.m. on Friday, October 20, 1967. Bluff Creek is a tributary of the Klamath River, about 25 logging-road miles northwest of the town of Orleans, in Del Norte County California. GPS coordinates provided by BIGFOOT’S bLOG website.
Reference Links:
Rediscovery of the PGF film site with GPS coordinates, from BIGFOOT’S bLOG website
“Still stalking Bigfoot 50 years after the beast went big” article from CNET
The 1968 Argosy Magazine article about the PGF from BIGFOOT’S bLOG website
“Best Bigfoot footage yet? Patterson-Gimlin 4K Neural Remaster” by Bigfoot Al
Search for Bigfoot stories on HowToHunt.com’s YouTube channel
Tribute to legendary costume maker Philip Morris from The Charlotte Observer
Arlee Bird describes meeting Philip Morris, in his blog Tossing It Out
“Bigfoot Investigators Hope DNA Test Will Confirm Existence Of Two Man-Beasts” with Jeffrey Gonzales
“Patterson Gimlin Bigfoot film 1967, the best stabilization of all 5 parts of the film” on YouTube
Patterson-Gimlin Bigfoot Film – Bill Munns’ Analysis on YouTube
The 1963 Laird Meadow castings made by Patterson on Cliff Barackman’s website
M. K. Davis’ “The Davis Report” website on the PGF film analysis
M. K. Davis discusses “Cracking the Sasquatch Code” on YouTube
50th Anniversary of the Patterson-Gimlin film analysis by M. K. Davis
“This Footage Was Shot Weeks Before Patterson-Gimlin Filmed Bigfoot In 1967” on YouTube
The Kodak K-100 16mm camera – Patterson’s actual movie camera
“Possible Sasquatch Sighting outside Squamish, BC” on YouTube by helicopter snowboarders
Film Scans and Composites from Bill Munns
The following are scans of frames, composites and charts from Reels 1 and 2 of Roger Patterson’s footage, put together by Bill Munns, which can be found on his website here: http://www.themunnsreport.com/tmr_v2_design_005.htm All images copyrighted, for research purposes only.
Related Books:
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CREDITS:
Episode 141: The Patterson-Gimlin Film Part 3. Produced by Scott Philbrook & Forrest Burgess; Audio Editing by Sarah Vorhees Wendel; Sound Design by Ryan McCullough; Tess Pfeifle, Producer and Lead Researcher; Research Support from the astonishing League of Astonishing Researchers, a.k.a. The Astonishing Research Corps, or "A.R.C." for short. Copyright 2019 Astonishing Legends Productions, LLC. All Rights Reserved.